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Notes toward a Pagan Theology of Fiction

By Christine Kraemer

Pagans widely agree that fiction has spiritual power. In their interviews of Pagans, Margot Adler (Drawing Down the Moon) and Sarah Pike (Earthly Bodies, Magical Selves) both found that Pagans often cited science fiction or fantasy as important inspirations for their spiritual life. In religious studies scholarship generally, there’s an enormous amount of material on how people have engaged novels, films, and other media for spiritual purposes (one good recent example is Invented Religions; some of my own contributions to this topic include papers on matriarchal Goddess novels, Heinlein and Starhawk, and film as religion). My take has generally focused on how fiction with a spiritual impulse has inspired real-life community practice, followed by individuals re-fictionalizing those community practices in order to better articulate and spread their religious values. As in myth, which tends to focus on spiritual or cultural truth rather than historical truth (though there may be a historical event or person at the core of the tale), Pagans often use fiction to clarify values, describe ecstatic experiences, or articulate hopes in a way that feels spiritually authentic—a purpose for which literal, historical prose accounts are not well designed.

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